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- <text id=91TT2531>
- <title>
- Nov. 11, 1991: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Nov. 11, 1991 Somebody's Watching
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 26
- </hdr><body>
- <p> THEATER
- </p>
- <p> ON BORROWED TIME. George C. Scott is back on Broadway as
- a quintessential foxy grandpa, all harmless cusswords and
- mock-fierce benevolence, in a sentimental 1938 comedy-drama
- about an old man's battle of wits with death. What a pity to
- waste his gifts on piffle.
- </p>
- <p> THE BABY DANCE. A desperate L.A. yuppie couple arrange to
- buy the unborn child of a dirt-poor Louisiana pair in Jane
- Anderson's passionate off-Broadway drama, beautifully realized
- in the fierce, moving performances of TV's Linda Purl and
- Stephanie Zimbalist, and Richard Lineback.
- </p>
- <p> TELEVISION
- </p>
- <p> EDGE (PBS, Nov. 6 and 10 on most stations). PBS's new
- monthly magazine series on pop culture, with host Robert
- Krulwich, enlivens some familiar topics (Grateful Dead fanatics,
- Norman Mailer's new novel) with personal points of view from
- such contributors as Buck Henry and critic James Wolcott.
- </p>
- <p> IT'S ONLY TELEVISION (Nickelodeon, Nov. 6, 5 p.m. and Nov.
- 8, 7 p.m. EST). Do TV news programs tell the truth? How close
- to reality are TV sitcoms and dramas? Host Linda Ellerbee
- addresses these and other questions in this level-headed
- half-hour children's special, which encourages kids to think
- about and even--gasp!--criticize what they see on TV.
- </p>
- <p> THE RETURN OF ELIOT NESS (NBC, Nov. 10, 9 p.m. EST).
- Robert Stack is back as TV's most famous G-man, as still another
- classic TV series, The Untouchables, proves there's life after
- death.
- </p>
- <p> MUSIC
- </p>
- <p> KILLER JOE: SCENE OF THE CRIME (Hard Ticket). The
- knockdown, knockout party record of the season, if your idea of
- a blowout is straight-from-the-heart rock with the rollicking
- flavor of the Jersey shore. Killer Joe Delia is a piano pounder
- with a raucous voice, and he's buttressed here by the eloquent
- drumming of his crony Max Weinberg, late of the E Street Band,
- and guest performers like Little Steven and Jon Bon Jovi. Glory
- days indeed.
- </p>
- <p> RICKIE LEE JONES: POP POP (Geffen). One of rock's most
- idiosyncratic talents bends pop standards like I'll Be Seeing
- You and Second Time Around to her own offbeat styling. She comes
- up with interpretations that career between the telling and the
- bizarre, but some of the most surprising renditions--like, for
- God's sake, Hi-Lili Hi-Lo--turn out to be the most successful.
- </p>
- <p> DIRE STRAITS: ON EVERY STREET (Warner Bros.). Likely
- you've caught the first single, Calling Elvis, on the radio. The
- rest of the record is similar: edgy, mysterious, insinuating,
- with some typically masterly guitar work by Mark Knopfler. Dire
- Straits is the most stylishly surreptitious group in all of
- rock: the music seems to drift off into the unconscious as soon
- as you hear it, leaving the impression that it's been part of
- your life forever--or at least since Elvis.
- </p>
- <p> MOVIES
- </p>
- <p> BILLY BATHGATE. Over budget and over schedule, with rumors
- of rancor soiling its production, Robert Benton's movie of the
- E.L. Doctorow novel arrives in a shroud of doom. Well,
- surprise! There's rare grace and gravity in the tale of a Bronx
- kid (Loren Dean, a find) who hitches his hopes to the falling
- star of gangster Dutch Schultz (Dustin Hoffman, again splendid).
- Forget the Cassandras. Go see a good movie.
- </p>
- <p> ANTONIA & JANE. Chic Antonia, plain Jane. These young
- Englishwomen are "friends," with all the baggage--competition,
- envy, bonding and bondage--that the word carries. Marcy
- Kahan's witty script sees all men as dolts, and director Beeban
- Kidron sees all camera angles as cute, but you could still enjoy
- this wry, desperate comedy of '90s sisterhood.
- </p>
- <p> LIFE IS SWEET. Another brisk, weeny English comedy, and
- welcome as well. In a family out of a skewed sitcom, Mum and Dad
- try not to fret while their 21-year-old twin daughters offer up
- fun-house images of 21st century Britain: stoic and efficient or
- raging and aimless. Somehow, Mike Leigh's movie is hopeful. It
- says the nation will always survive adversity in the old-
- fashioned way: with a smile and a shrug.
- </p>
- <p> ART
- </p>
- <p> HALLOWED HAUNTS: THE DRAWINGS AND WATERCOLORS OF CHARLES
- ADDAMS, National Academy of Design, New York City. The creepy
- and kooky, mysterious and spooky imaginings of one of the New
- Yorker's most famous cartoonists. Through Jan. 12.
- </p>
- <p> OBJECTS OF MYTH AND MEMORY, AMERICAN INDIAN ART AT THE
- BROOKLYN MUSEUM, New York City. A rich and vibrant collection
- of some 250 Western and Plains Indian objects, including
- polychromed ceramics, kachina dolls, God-impersonator masks and
- fetishes that were acquired by the museum's insightful
- turn-of-the-century curator. Through Dec. 29.
- </p>
- <p> TELLING TALES, Pennsylvania Academy of the Fine Arts,
- Philadelphia. In the 19th century, narrative paintings were used
- to please and instruct, yet the genre fell into ill favor with
- the advent of the moderns. Fifty paintings and sculptures of
- that neglected style are on display, once again revealing the
- inspiration artists found in the Bible, history and literature.
- Through April 19.
- </p>
- <p> DEAD RINGER
- </p>
- <p> Wynn Dalton, a down-on-his-luck dinner-theater actor,
- finally gets a break: pegged as a dead ringer for serial killer
- Dwayne Gary Steckler, he is cast as the fugitive psycho for a
- segment of All Points Bulletin, a catch-the-criminal show
- patterned after America's Most Wanted. His appearance is a hit
- with everybody but the real killer--who disposes of the actor,
- assumes his identity and sets out to give the role some real
- authenticity. That's just the starting point for PUBLIC ENEMY
- #2, an ingenious comedy special tucked into Showtime's schedule
- this month (debuting Nov. 10, 10 p.m. EST). Dave Thomas, the
- brilliant, underutilized SCTV alum, plays both the actor and the
- killer, and it's hard to tell which one needs psychiatric help
- more. Producer-director David Jablin crams a feature film's
- worth of twists into a breathless 37 minutes and skewers
- everything from TV's true-crime shows to America's celebrity
- roller coaster. Pound for pound, it may be the shrewdest satire
- of television since Network.
- </p>
-
- </body></article>
- </text>
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